the schoolhouse
neighborhood: bushwick | space type: art collective | active since: 1996 | links: facebook
According to The
Bushwiki, PS 52 was built in 1883 and served as an arts-intensive
elementary school until 1945, when it was sold for use as a manufacturing
space.
I couldn’t find any information on what happened to it over the next fifty
years, but the New York Times steps
up to fill in the space’s modern history: in 1996, a twenty-something
artist named Erin McGonigle found
it listed as a rental in the Village Voice. The building was decrepit
and overrun with debris, and Erin and some friends took five months getting it
into livable shape. When they started living in the refurbished Schoolhouse they
called themselves ORT, an acronym for “organizing resources together.” In 2002
the second floor opened, ushering in the second wave of the collective.
Some artists who passed
through in those early years include: photographer David Linton, Yale drama critic
Sunder Ganglani, poet Ariana
Reines, composer Keiko
Uenishi (who works with Issue Project Room), Grace Space
director Jill McDermid, video artist Tia
Dunn, Smithsonian dancer Samir Bitar,
costume designer Kaibrina
Sky Buck (who has paintings in the Museum of Sex), trash and performance artist Gertrude Berg, journalist Erika Yorio
(who wrote for Nylon), musician Toshio
Kajiwara, artist Elliot
Kurtz, filmmaker Derek Deems,
blogger EV Bogue, and artist Mariette Papic, who gave me a ton
of information to help with this piece.
In addition to serving as home for a revolving cast of artists, the Schoolhouse (also sometimes called the Old Schoolhouse or the Old Red Schoolhouse) hosts plenty of events. A small sampling of the musicians who have performed there over the years: Neutral Milk Hotel frontman Jeff Magnum, Verbal Graffiti, Spanish Prisoners, Madame Beak, The Christopher Complex, Zachary Cale, Revival Times, The Asteroid #4, Hollow Jones, and DJ Polarity. Todd P has even put on some shows there.
The artists currently
living in the Schoolhouse (there are about twenty spread over three floors)
consider themselves the third wave of the collective. They run the gamut of
creative pursuits, including photography and visual arts, musicians and DJs,
fashion design, jewelry making, screenprinting, and even mobile art. One of the
benefits of the space is of course how freaking huge it is, and though many of
the bedrooms are kind of tiny, the vast common areas make up for it. I sat down
with Justin, Chris, Willy, and Dave to talk about their
experiences living and making art in this incredible space.
brooklyn
spaces: Were you guys drawn to this space specifically, or to
Bushwick in general?
Willy: The space. I’d never lived in
Bushwick before, I didn’t really know much about it. I’d been to a few different
spaces that were built out and thought they were cool, but I’d never seen
anything like this before. You walk in here and you just feel the creative
energy. And now I get to come home to it.
brooklyn
spaces: Do you feel like being here has affected the way you do your
art, the choices that you make thematically or physically?
Dave: Absolutely. A big thing about this
space is having people bounce off each other, and inspiring each other to be
greater and to dream bigger. How could you not be affected by other creative
people? You’d have to be an alien.
Justin: We all have our more and less
productive periods, but for the most part, most of us are always working on
something. So you go into Chris’s room and you get inspired by what he’s doing,
or you go downstairs and see the screenprinting and get inspired by that. And
then the building itself, having artists living here for so long, it has this
energy that just resonates. It’s a give and take; the more you put into the
place and the more you’re doing, the more it really gets energized. But there’s
definitely always something going on that you could tap into.
brooklyn
spaces: I know in the space’s early years there were some robberies
and trouble with community integration. Do you feel like you guys have overcome
that?
Dave: Yeah, when we started throwing the
block party. Block parties are incredible, every community should do it.
Chris: The block parties are a lot of fun.
We do that every summer.
Justin: Everyone in the neighborhood comes
out and contributes. This year they roasted a pig.
Willy: There was a giant inflatable water
slide. We had the ball-throwing machine where you get dunked.
Dave: We put speakers on the roof, there
was a live mariachi band, and then we played old funk records, hip-hop, salsa,
Brazilian music, for the block, you know? To show the love and appreciation we
have for all art and music. It really makes it safer for the artists who live
here.
Willy: Now we know everyone, everyone looks
out for each other.
Dave: You have to be a part of the
community. You can’t just narrow-mindedly walk past the people who live right
next to you. During the block party we open up our home and show people that
we’re cool, that we’re in the same struggle. Artists ain’t making a lot of
money, you know what I mean? So now everybody sees each other as human beings,
and that’s beautiful.
brooklyn
spaces: How did you get it started? Did you just go knocking on
people’s doors?
Chris: We actually did have to go
door-to-door to get the petition.
Dave: Yeah, but it started before that,
once we made friends with Sonny. There’s always a hawk on the block who watches,
a grandfather spirit, and that’s the person you have to meet and be friends
with. It was actually his idea to do the block party. And then we took our
strength and went and got the permits to show that we were serious, that we were
taking an initiative in the community.
brooklyn
spaces: Are you involved with the greater Bushwick art
community?
Dave: Yeah. Jason Andrews, who does Norte Maar and Storefront, he
stumbled in on one of the music shows here and he scooped me up, and then he
showed Justin’s artwork at one of his galleries, so it just all started being
interconnected. I performed for the first BOS show at the Collision Machine three or four
years ago. I think Arts in
Bushwick really started to connect the different spaces, because
everybody could come and see everybody’s space and meet each other. We do shows
at the McKibben Lofts now, and they come do shows over here.
It’s an ongoing artistic explosion.
brooklyn
spaces: Do you have any thoughts about being an artist in Bushwick
these days?
Dave: I don’t think anybody can take credit
for what’s happening; I think it’s universal, I think it’s a sign of the times.
This area is just part of that shift. Hopefully it’s the beginning of a greater
world, a new belief that we want to get together and be creative again, to be
dreamers again. There’s nothing wrong with that. Not everybody’s cut out to be
on Wall Street, not everybody’s cut out to be a doctor. Some people just like to
fucking paint, some people want to beat on a drum. And we should let that live,
not stifle it with overpriced rent and over-gentrification.
Chris: As far as art in Bushwick, I think
it’s awesome. I think things like Bushwick Open Studios are brilliant. We need
to get more recognition out here. Manhattan’s boring, nothing’s really going on
in Manhattan. People still sometimes look at Bushwick and think
dangerous, like Bed-Stuy, dangerous, and I think it’s just
ridiculous. People hear about us and go, “Oh, a bunch of white kids in the
ghetto making art.” Not really, we’re hanging out with our neighbors, we’re
doing our thing, everybody’s doing their thing, and we’ve got this beautiful
space to show for it.
***
Like this? Read about more art collectives: Flux Factory, Swimming Cities, Monster Island, Hive NYC, Arch P&D, Bushwick Project for the Arts, Silent Barn