update, summer 2014: In sad but of course not shocking news, the House of Yes lost their East Williamsburg lease in August 2013. (If you want to take a look back, the Atlantic has an awesome piece on all three incarnations, from Bed-Stuy to Ridgewood to East Williamsburg.)

But why get nostalgic? House of Yes 4.0 will be opening in Bushwick the fall! Want to help make it happen, and get some wild and incredible rewards to boot? Donate to their Kickstarter, and help keep the Brooklyn underground alive.

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I am really overjoyed about this post, because House of Yes is actually my very favorite space in Brooklyn (so far), and one of the spaces that inspired this whole project. It’s an aerialist training facility and performance venue in a huge former ice warehouse, and they put on the most high-energy, high-caliber, innovative and astonishing shows I’ve seen. They make all their costumes onsite and build their own sets, they collaborate with Brooklyn bands for live musical accompaniment, and every show is just spectacular, bristling with staggeringly talented aerialists, trapezists, fire-dancers, contortionists, burlesque acts, singers, and musicians.

Anya Sapozhnikova

Besides putting on phenomenal shows in a fantastic converted warehouse—in one of the most vibrant corners of East Williamsburg, down the block from 3rd Ward, Werdink, Shea Stadium, the former Bushwick Project for the Arts and Bushwick Music Studios, and more—many of the House of Yes gals make up the loose conglomeration of female acrobats Lady Circus, and they are tireless, performing at all the best underground Brooklyn parties and Manhattan cabarets, like Shanghai Mermaid and Café Panache, among many many others. And the mainstream world is taking notice: the Lady Circus performers were featured as a costume-design challenge on the incredibly popular show Project Runway in 2011!

Don’t you want to hear from the woman responsible for it all? Read on for my interview with Anya Sapozhnikova, founder of House of Yes and Lady Circus and crucial fixture in the Brooklyn underground performance scene.

photo from designglut.com

brooklyn spaces: I first heard about House of Yes when it burned down.
Anya: Yeah, that was our first space. The thing about the fire was that it made us realize that people really cared about what we were doing, and the mobilization of the underground scene in Brooklyn and beyond really blew us away. Our friend threw us a benefit party at Pussycat Lounge, and all the underground parties that were happening that night canceled their events and moved everyone there. The benefit was immensely successful, and we went from having nothing—we were all homeless, all of our shit was gone—to being able sign a lease on a new space.

Circus of Circus

brooklyn spaces: Was House of Yes originally conceived as a studio and teaching space, or was it always a performance venue?
Anya: The old space was just “Let’s do this and see what happens.” The new space was always going to be a venue in the evening and a training and rehearsal space during the day. Upstairs we also have a sewing studio, Make Fun. To be able to flourish and produce as much work as we want to, we need every square inch of the space making money all the time. We aren’t like, “Oh, we’re DIY culture, we’re going to dumpster everything.” Sustainability’s great, but we’re really excited about doing high-production-value shows, we want to do the best we possibly can, and we don’t want money holding us back. We have this state-of-the-art facility that enables us to create a show from start to finish, from sitting down with all your friends and working out the concept to having a sold-out closing night. What makes it so beautiful to me is that we concentrate on every single aspect: the costuming, the rehearsals, the movement, the sound, the promotion, everything. To me, live theatre is the most all-encompassing, the most mixed-media way to produce art. So in order for us to do our best, we’re always thinking about how we can generate income so these things can keep happening and we can keep growing.

The Wonderneath

brooklyn spaces: There’s a lot of these types of spaces around, but I feel like House of Yes is more intentional, and the caliber of shows here is higher. Do you think that’s partly because you have such a multifaceted facility?
Anya: I think we’re just really ambitious. There are a lot of different people involved and everyone just brings a huge amount of passion. Everyone involved in the space is so hands-on. We know what we need, there’s always an open dialogue, and it’s just a really tight group of friends who are all really, really ambitious.

New Faux Fashion Show

brooklyn spaces: How many people are involved in the day-to-day running of the space?
Anya: I don’t know. A lot. Nikki and Airin run Sky Box, which is the aerial component of the space, and that’s classes, workshops, training, rehearsals. Tara and Kae, who’s my main partner in the space, they run the sewing studio. Kae and I do the majority of the booking. Hasaan, one of the original founding members, runs the sound studio.

AHOYA, student showcase

brooklyn spaces: How long does it take to put a show together?
Anya: Two weeks.
brooklyn spaces: Seriously?
Anya: Yeah. $piderman! was the most difficult thing I’ve ever done, and it was done in two weeks. In two weeks we wrote, produced, directed, cast, made costumes, figured out the craziest lighting you’ve ever seen, everything. It was a huge pain in the ass and it caused a bunch of nervous breakdowns, but I think everyone secretly enjoyed it.

$piderman: Turn on the Lights!

backstage during 2010's Christmas Spectacular

brooklyn spaces: Do you have a favorite show, or one that’s particularly triumphant or special?
Anya: I like them all for different reasons, but I think that the Christmas Spectacular is probably my favorite. For a lot of the people involved, it feels like you have a real family. Me and Kae curate it, and it’s just everyone we know who we think is talented and amazing who we want to hang out with for three weeks straight. People can do whatever the fuck they want, and we kind of guide it and arrange it. I realized it was my favorite show when I was standing backstage and there was an eleven-year-old boy dressed in drag next to a fifty-three-year-old transvestite dressed as a man, and they’re dancing their asses off and I’m holding this giant spotlight, getting ready to go on, and I was just like, “Wow, this is really beautiful, we’re a family, and we’re celebrating this holiday that’s all about family.” It’s kind of really wholesome in a fucked up way. So that’s my favorite show. It’s low pressure, but really high talent, and it’s always good. Airin said it’s entertainment at its worst dressed in its best. High-quality chaos.

AHOYA! student showcase

brooklyn spaces: Being in this amazing corner of Brooklyn, do you have a relationship with the other people in the neighborhood?
Anya: Yeah, absolutely. It’s awesome to see this really accessible gentrification, where it’s not some random guy you’ll never meet building some random building you’ll never live in. Our peers aren’t afraid of becoming entrepreneurs and businesspeople, really pursuing what they want to do and doing it well, doing it in an interesting way that they care about. I love being in this community of business owners and curators and producers who are all young people, we all ride bikes and hang out on rooftops together. It’s like a different kind of grown-up. I really enjoy that.

Amber Dinner Theatre

brooklyn spaces: What are your goals for the future of the space?
Anya: I want to become a New York City institution. I want to make theatre in New York City better. It’s okay for theatre to be really fucking entertaining. I want to create art that’s accessible and meaningful and a really good time too.

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Like this? Read about more performance spaces: Gowanus Ballroom, Big Sky Works, Rubulad, The Muse

Even though I live about ten minutes away from them, I’d never heard of Werdink Screenprinting Boutique or Ninja Pyrate. And maybe you haven’t either—but believe me, that’s going to change. They’ve got  an amazing hybrid space, encompassing a high-end screenprinting studio, a boutique shop selling apparel and skateboards (all printed onsite), a multipurpose event space with a rubber floor and an aerial rig, a DJ setup, and a recording studio in a pirate ship. A pirate ship. And they’re really eager to open the space up to the community, to see what people can do with it.

Who are these amazing people? Matthew is the Werdink screenprinter, and his sister Krisstina and her boyfriend Jeff are still figuring out more amazing ways to use the Ninja Pyrate space. Plus they’re all well connected to the crazy Brooklyn creatives: Werdink did a screenprinting truck for the first three Lost Horizon Night Markets and shares tips with Bushwick Print Lab; Krisstina pals around with one of the girls from House of Yes and Lady Circus who started Make Fun; their space is literally downstairs from Shea Stadium.

Scroll down to hear more from these awesome people!
[all photos in this post by Alix Piorun]

brooklyn spaces: Okay, tell me about Werdink.
Matthew: It’s a screenprinting studio and retail shop, based on high-end development for independent fashion and artists. I work with people who are looking to broaden their horizons, make their stuff bigger. I take my time with my clientele, and I build relationships with them and bond with them and become part of their creative process. I’ve been doing this for years, and I do a wide range of printmaking, so I have a lot to offer. It’s not just making t-shirts; I also do tip-to-tail skateboard printing, and lots of other things. I spent a period of my life working with high-end, bigger names and brands, and I want to be able to give more independent people that same experience.

brooklyn spaces: Who are some people you’re really excited to be working with?
Matthew: My friend Ian Hurst, he has a company called 333Theory, and we’ve been working together for three years now, developing his line. Right now we’re making a bunch of t-shirts, but the t-shirts are a side project for his graphic novels, which are coming out later. There’s Connie Wang, from Iconartistry, who I got to know through Ad Hoc Art. She worked with me here for a few years and has since moved on to start her own print studio. There’s Hannah, she interns here, she’s started a brand called Helplessly Happy. There’s Hull, they’re a metal band, they were actually my first intense project in this space. A lot of those guys work at the Anchored Inn around the corner—we love that place, it’s awesome, everybody should go there and drink. Our friend Tara McManus has a company called 3rd Earth Designs, she has some stuff in my boutique and is always expanding her line. It’s hard to pick favorites, I love everyone I work with.

brooklyn spaces: Okay, so let’s switch to Ninja Pyrate. You guys are doing a bunch of different things in here, right?
Jeff: Yeah, we have a lot of interesting hobbies, so we’re trying to do as much as we can. We want to do different yoga classes, like dubstep yoga, costume yoga, pirate yoga. We have a friend who wants to teach capoeira, and we have an aerial rig. On top of that, we have a lot of friends who spin fire, so we’re going to do some poi and spinning classes, and we’re working on making new kinds of fire-spinning tools.
Krisstina: And also stuff like craft nights, clothing swaps with live screenprinting, skill-building workshops, movie nights.
Matthew: We did a release party for a book I helped work on, Gutterfish, with some people reading poetry and a couple of DJs. We’re also planning to put in a little tea and coffee bar.
Jeff: And the space isn’t just for us. We’re going to have an open house soon, because I want to get people imagining, coming up with ways they could use the space.
Matthew: We’re starting to finish up the projects on the inside, so now I’m thinking about the outside. I want to do a party to get some graffiti up on the wall outside.
brooklyn spaces: The landlords don’t mind?
Matthew: The landlords are so cool! I walk over there and I’m like, “Hey, I know you just spent thousands of dollars putting in this new sidewalk last year, but is it cool if I have the city come tear it up and put in some trees?” And they’re like, “It’s you’re place, do whatever you want. You want trees, get some trees.”

brooklyn spaces: Whose is the recording studio? Is that Ninja Pyrate?
Krisstina: Yeah, I do music recording. And our band, Yar, uses it.
brooklyn spaces: And why a pirate ship?
Krisstina: The pirate ship is all found wood. I found it in the hallway of my apartment. I almost walked past it, because, you know, bedbugs. But then I was like, “Wait a minute! I’m a pirate, those are skeletons, this was meant to be.” I called Jeff and said, “Honey, I got you a present from the garbage.”
Jeff: It was the best present I’ve ever gotten.
Matthew: About 80 percent of this place was built with recycled materials. Everything in the boutique is reused. Build It Green is freaking rad. I can’t go there without wanting to spend hundreds of dollars.
Jeff: Krisstina really wanted a playground floor, and I was like “We’re never going to find that.”
Krisstina: And then one of the times we were at Build It Green, I was like “You wouldn’t happen to have rubber flooring here, would you?” And they totally did. We had to dig it out from under the snow in the back parking lot. It was filthy.

brooklyn spaces: Do you think places like this are what’s making Brooklyn what it is right now? Or is Brooklyn like this, and people come and find their place here?
Matthew: That’s a good question. I think it’s a bit of both. As soon as I came to this neighborhood, I was like, “This is where I belong.” I never want to leave Brooklyn.
Krisstina: In Brooklyn there are so many creative people who are really motivated, and who all want to share tips and ideas. It helps to pool your resources; you never know how far you can go when you do that. Space is rare in New York, and expensive, so people have to come together to make it work. And people in the Bushwick area are so supportive. People make an effort to check out what you’re doing and help you with it.
Jeff: I love our friends in Brooklyn, and even people who don’t have this sort of space know we’re here, so if they need somewhere to spread out and do something, they can come to us. We’ve got a lot of creative friends who need more space to be loud, and this is a place they can do that. We’re just trying to help people get together and do things.

Like this? Read about more art & event spaces: Gowanus Ballroom, Arch P&D, Hive NYC, Big Sky Works, Egg & Dart Club